The day we arrived in Charleston she was underwater, as she often was,
after every drenching summer rain. It was disconcerting, dodging the
hordes of tourists, umbrellas braced against the downpour, winding our
way around knee deep water at every intersection. Charleston, I’d
thought, would be a proper setting for my story, rich with history and
culture, but looking around at the drenched crowd, now I wasn’t so sure.
Scouring the travel logs, it had seemed far more exotic than rural,
dusty Ohio (although the two ended up melding seamlessly into not
dissimilar small towns).
Charleston, it turned out, had everything I
was looking for, and I was hoping for just a little bit of this city to
rub off on me, so I could take it home and pour all her little details
back into my story. I hadn’t expected the cobblestone streets, or the
crushing crowds, the smell of horses mixed with sweat, or how close the
stately mansions were to the Battery. Or how close the ocean was to
everything. Experiencing this first hand changed everything in the book
in subtle ways. In better ways.
I discovered some great new
settings for book two; King Street shopping area was trendy and busy and
I’d have never thought to include it in a book unless I’d actually
walked up and down it. Standing on the Battery at sunrise helped me
fine tune my character’s reaction during a confrontation she had on that
very site. The wedding cake antebellum mansion, now a B & B on
Meeting Street, turned into perfect house for my bad guy, while driving
the roads north of the city helped me create a realistic travel timeline
for my heroine. The smells, the feel, the taste of the city all were
translated, in some small way, back into the book. None of which would
have been possible sitting at my desk.
Now the only question is how soon until I can go back?
L. A. McGinnis
https://lamcginnis.com/
Love this! So much. I wish I could travel to every setting in my stories. For now, obsessive research will have to do. ;) Thanks for sharing!
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