The groundhog
once again noticed his shadow--predicting six more weeks of winter. (When
did this not happen? Perhaps in the Great Depression when he was too
thin to see his shadow?) An intuitive writer always notices "signs
& omens"--good and bad. Always the optimist, on Groundhog
Day I received word from The Rose Garden that my novel, "THE ACCIDENTAL
WIFE" will be released in 6 weeks--(drum roll here)--on March 18,
2015. Perhaps at the trill of the new season's first robin?
From start to finish, my book has had a remarkable journey beginning life as a short story--The Teacup--which placed in several contests. It took four months to fill The Teacup with 88,000 words and polish it up for submission after a judge suggested the story begged to grow into a novel.
After meeting Rhonda Penders at a Kansas City Writer’s Conference, TWRP captured my attention. It had been awarded Best Publisher for several straight years--in a poll taken by Preditors and Editors. Rhonda was professional and charming, even suggesting I send her the novel when finished. I did, and once the contract was signed, Allison--my assigned editor--and I began to work on it in mid-October, 2014. Three months later we were at final galley and cover selection stage. The cover artist for my book, Debbie Taylor, also places often among the leading Cover Artists in the annual Preditors and Editors poll.
For two years
prior, I had haunted several writer's conferences all over the U.S.—and one in
London--building a case for timing and a publishing method that was the best
fit for me. (The scales for Self Published or Traditional were beginning to
level off that last year.)
The Wild Rose Press red-lined most of the "cons" I had on my Pro & Con list for the Publishing models. The process went faster than I expected; no year-long dragging it out. An agent was unnecessary, which should mean better royalties. They have worldwide distribution, uncommon to many smaller presses. They offer weekly chats, author loops, and recommend workshops that every writer can learn from. They are respectful and communicative. As a newbie, I fired off several email questions that were answered by my editor or the staff—same day, often same hour. Best of all, I was included in decisions and choices--writing blurbs and choosing excerpts, even choosing the final cover, though I was told I was closing in on the "nit picky zone after multiple tweaks."
The Wild Rose Press red-lined most of the "cons" I had on my Pro & Con list for the Publishing models. The process went faster than I expected; no year-long dragging it out. An agent was unnecessary, which should mean better royalties. They have worldwide distribution, uncommon to many smaller presses. They offer weekly chats, author loops, and recommend workshops that every writer can learn from. They are respectful and communicative. As a newbie, I fired off several email questions that were answered by my editor or the staff—same day, often same hour. Best of all, I was included in decisions and choices--writing blurbs and choosing excerpts, even choosing the final cover, though I was told I was closing in on the "nit picky zone after multiple tweaks."
I can see why The
Wild Rose Press has 800 writers in their Rose Garden, and why they win Best
Publisher awards. Maybe...if their model would be imitated, there would be
fewer consolidations, chapter elevens, or dissolutions in the publishing world.
Less dissolution among authors, as well.
James Barrie, who
wrote Peter Pan, once said God gave us
memory so we could have roses in December. Had Barrie been born 100 years
later, his fantasies might have found a bed of roses in the WRP garden. Just
think--roses all year long! Even the groundhog would revel in that bit of
sunshine.
Cj Fosdick,
Newbie at Large
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