Like
 many other writers, I’ve had a bunch of jobs outside the home before I 
attained my goal of writing full time. My first job as a clerk in a 
music store was a lot of fun. I got to tune and polish guitars, play 
them for beginners so they could hear the instruments’ tone, chat with 
musicians, etc.  But my “office” was the checkout counter, and offered 
no chance of reflecting my personality or letting me create a place -- 
however small – that was tranquil.  The counter was cluttered with boxes
 of guitar strings and cassette tapes, a glass jar of guitar picks, a 
stand-up sign advertising the deal of the week, a small rack of sheet 
music, musicians’ business cards (under the glass countertop), and the 
cash register.
I love music, so the job contained elements of Heaven,
 but I felt as though I were an afterthought -- someone to stand there 
and bag the merchandise.
After a handful of years there I became a 
secretary for various businesses.  Depending on the job, the size of my 
desk varied greatly, but at least a framed photo, my coffee mug, and a 
plant claimed one of the desk corners.  Having a bit of a comfort zone 
definitely improved my morale, especially when a day didn’t go very 
well.
Now that I write full time, my work environment is Unashamedly 
Jo.  I write the McLaren mystery series (In case you don’t know, Michael
 McLaren is a former police detective who quit his job and now 
investigates cold cases on his own).   My office reflects not only my 
protagonist but also my love of Britain. This may not seem like anything
 to write home about, but I live in St Louis, so perhaps my British 
décor is something you might not expect of an American author.
I attach a photo of my cozy nook so you can get the idea.
There’s
 a small book shelf on the wall.  On it are two of my most prized 
possessions: an English bobby helmet and an English police inspector’s 
hat.  I got them from two friends who happened to be in the job at the 
time.  A length of McLaren tartan, on which is pinned the Clan badge, 
hang down.  (Yes, I may legally wear them; I belong to the Clan.)  More 
inspiration for my guy.  A small framed photo of rocks and exuberant 
ferns sits at the end of the shelf.  The spot’s in Beresford Dale in 
Staffordshire, which hugs the western border of Derbyshire, and is one 
of my favorite places.  The red phone booth tin to the photo’s right had
 candy in it (verb tense is correct).  
The painting on the wall is 
of Bolton Castle.  Well, it's the building’s ruins, actually.  It’s a 
pen-and-ink watercolor done by a friend of mine, Alan Bamford (if you 
google his name, you’ll get the ‘wrong one’).  Alan lives in 
Bedfordshire, England, but when I met him in the early 1970s he lived in
 Bolton, Lancashire.  Which was where I vacationed for a month, staying 
with a college friend.  I went to a street art festival and Alan was one
 of the artists exhibiting his paintings.  I bought two of them – this 
one and a rendition of Hall i’th’ Wood, a 16th century manor house in 
Bolton.  When I returned to Bolton the next year, I bought another of 
Alan’s paintings.  Through our forty-year friendship I’ve purchased 
eleven pieces.  They’re all different (a coastal fishing village, a 
thatched-roof cottage, a water mill in winter, etc), but I keep Bolton 
Castle on the wall above my computer monitor.  I love castles, so that’s
 a good reminder of my time in England.  Plus, it provides inspiration 
for some place McLaren might investigate.  Bad guys lurk everywhere!
On
 the desk top (with is an eight-foot long kitchen countertop sitting on 
three 2-drawer filing cabinets – the counter gives great, uninterrupted 
space) are two McLaren mugs filled with markers, letter opener, paper 
clips, etc.  My Clan coffee mug usually holds hot tea.  To the right of 
the computer monitor is a mug I got in Buxton, Derbyshire.  The town is 
the headquarters for the B Section of the Derbyshire Constabulary, and 
McLaren’s sidekick, Jamie Kydd, works out of that office.  Again, it’s 
another three-dimensional memory that helps connect me to the town and 
to Derbyshire, where McLaren works most of his cases.
I’ve got a 
pillow covered in McLaren tartan for my chair.  It’s not in this photo 
but I wanted you to know that he and I support each other.  I also have 
an area rug, the design of which is the British Union Jack.
Of course
 the desk is just one component of my office.  There are other things 
among the research books and maps that mean a lot to me: a letter from 
Ngaio Marsh’s cousin (Ngaio is my favorite mystery writer); various 
photos of British police friends, my folk singing group, and the 
Scottish folk group I managed for a while; mementoes of my trip to New 
Zealand (I have a sneaking suspicion that McLaren may go there one day 
and get involved in a cold case); a sprig of dried heather; yards of 
British police crime scene tape; and a Write Spite voodoo doll (I used 
to stick pins in it whenever a publisher rejected me, but I haven’t used
 it since The Wild Rose Press accepted my manuscripts!)...
It’s a 
soothing, soul-embracing space.  It also inspires me, and reminds me of 
incidents and places I can use in my mysteries.  I can’t ask much more 
than that.
Jo A. Hiestand
www.mclaren-mysteries.com
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