Happy Halloween Season! October is possibly my favorite month of the 
year, and Halloween has a great deal to do with that. This year, I 
thought it would be fun to do a little fact finding about the 
traditional Halloween monsters (werewolves, vampires, and Frankenstein) 
and their evolution in folklore and literature.
 
Since my 
upcoming release - Andromeda's Fall - (release date TBD) involves 
mountain lion shifters, let's start with werewolves (and shifters in 
general).
 
As I researched this topic, I found it very 
interesting that--unlike vampires and Frankenstein--almost every culture
 around the world has some type of transformation or shape-shifting 
mythology (typically with animals indigenous to the area) that go back 
to antiquity.
 
In earlier history, shapeshifters were most 
commonly deities (gods or goddesses) with the magical ability to 
transform. In Japan they have Kitsune, a fox shifter who is typically 
benevolent but often a trickster. Korea and China have similar fox 
shapeshifter myths. In Africa, deities shift into lions or leopards. In 
South America they transform into jaguars. Some gods/goddesses in Greek,
 Roman, Norse, etc. mythology can pick their forms.
 
Another 
frequent myth seen for shifters in earlier history were humans who were 
transformed into something by a god or goddess as a punishment. In Greek
 mythology, Arachne was transformed into a spider. In Roman and Ovid’s 
Metamorphoses, King Lycaon was changed to a wolf by Jupiter (some 
attribute this as the beginning of werewolf mythology). But in these 
cases, the person shifted had no power to change back to human. This 
theme continued in later European folklore. The Frog Prince and Beauty 
and the Beast both involve transformation into animals as a punishment.
 
Enter
 the Middle Ages where the werewolf mythology became prevalent. Most of 
the people executed for being werewolves in this time period were later 
found by historians to be serial killers. The werewolf mythology closely
 follows witch folklore and persecution. In fact, shifters mythologies 
were not all that prevalent in North America until brought over by 
European colonists at the same time as they brought their fear of 
witches.
 
Based on what I could find, not a lot seemed to change 
about shapeshifter folklore for quite some time. Up to the 1940s (and 
even later) they were truly seen as monsters eliciting terror and 
revulsion. Early books and movies about werewolves have the happy ending
 being the death or defeat of the creature.
 
In my research, I 
couldn't find a specific trigger for the change in perception of 
shapeshifters and werewolves as monsters to the view of them today as 
sympathetic and even heroic. Even books written in the mid- to 
late-1900s still use a more classic example of shifters. For example, in
 C.S. Lewis's The Chronicles of Narnia, Eustace is shifted into a dragon
 - but more as a learning moment or punishment, not at will.
 
I 
would argue that shapeshifters we see today are found in literature and 
movies only in the last 10-20 years. Unlike their earlier counterparts, 
these people/creatures are not deities (or not always), are not being 
punished, can change forms at will (or at least aren't permanently an 
animal), are powerful, are usually benevolent or good, and frequently 
have an entire sub-culture of like-shifters to support them or deal with
 in some way.
 
What a change from the monsters they originally were. Right?
 
I've
 found this topic so interesting to research, I'll have to dig more on 
the psychology behind this phenomenon. My guess is that, like vampires, 
we've romanticized werewolves and other shapeshifters, giving them more 
human qualities, behaviors, and values. Dissatisfied by our human 
frailty, we are intrigued by the thought of what additional power 
assuming such a form could provide.
 
It makes me wonder what the next 10, 20, 100 years have in store for these fascinating--and ancient--creatures.
http://www.abigailowen.com
Award-winning author, Abigail Owen was born in Greeley, Colorado, and 
raised in Austin, Texas. She now resides in Northern California with her
 husband and two adorable children who are the center of her universe. 
Abigail grew up consuming books and exploring the world through her 
writing. A fourth generation graduate of Texas A&M University, she 
attempted to find a practical career related to her favorite activity by
 earning a degree in English Rhetoric (Technical Writing). However, she 
swiftly discovered that writing without imagination is not nearly as fun
 as writing with it.
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